Capt. D. J. Parsons, 4th Bde.
Graphite on paper
30 x 20 cm
Signed lower left
Inscribed: 'South Canterbury Rep.'
Featured Story:
In November 1941 Parsons played with the New Zealand Army All Blacks, who defeated the South African side in the Western Desert by eight to nil. The 3,000-strong crowd consisted of rugby fans ranking from private to general. The Evening Post reported: “The South Africans put up a plucky but losing fight against the intensely-trained pick of the New Zealand Division.”
PROVENANCE
Neville Colvin Collection. England
EXHIBITED
Jonathan Grant Galleries, Peter McIntyre 2nd NZEF War Drawings 1941 - 1944, 2010
ILLUSTRATED
(2010) Peter McIntyre 2nd NZEF War Drawings 1941 - 1944 [Exhibition Catalogue]. Auckland, New Zealand: Jonathan Grant Galleries.
Captain D. J. Parsons
David John Parsons was born in 1918 in Timaru. Before the war, he worked as a shop assistant and also served in the Territorials, where he was ranked a corporal.
Parsons enlisted almost as soon as war broke out, taking his oath on 15th September and embarking for Egypt in January 1940. He was an officer in 3rd Company, 27th (Machine Gun) Battalion, and was sent to Greece later that year.
Western Desert, 1941
In October 1942 he was transferred from the Canterbury Regiment, 27th Battalion to the 1st Army Tank Battalion. He returned to New Zealand in July 1943 and was posted to the A.F.V. (Army Fighting Vehicle) School in Waiouru. In February 1944, he was placed in the Reserve Officers as a captain, at his request.
Parsons was also a talented rugby player: McIntyre notes on his drawing that he played for South Canterbury, and he also played halfback for the New Zealand Army All Blacks. Four months after his arrival in Egypt in 1940, he played in a match between the New Zealand representatives and the Combined Services. The New Zealand team won by 20 points to nil.
In November 1941 Parsons played with the New Zealand Army All Blacks, who defeated the South African side in the Western Desert by eight to nil. The 3,000-strong crowd consisted of rugby fans ranking from private to general. The Evening Post reported: “The South Africans put up a plucky but losing fight against the intensely-trained pick of the New Zealand Division.”
By 1943, Parsons was the captain of the 2nd N.Z.E.F. team, and played a match against the South Africans in February in Egypt. The New Zealanders won 10-3, maintaining their unbeaten record. These New Zealand victories were all reported back home in the Evening Post.
Parsons continued his Army Rugby career after his return to New Zealand, playing for the South Island in an inter-Island match in August 1943, and for the New Zealand Army team in a match against the New Zealand Air Force a month later.
After his discharge from the Army, Parsons was awarded the 1939-45 Star, Defence Medal, War Medal 1939-1945, NZ War Service Medal, Africa Star Ribbon (presented 1944) and the Greek Medal. Parsons died on 28th August, 1990, aged 72.
Photographs courtesy of the Parsons Family Archives.
The Neville Colvin Collection
(New Zealand 1918 – 1991 Britain)
Known to his friends as ‘the Count’ for his distinctive features, and to thousands as the creator of ‘Clueless’, Neville Maurice Colvin was born and raised in Dunedin. The first expressions of his drawing talent included contributions to the Otago Boys’ High School annual magazine. With the onset of World War II, training to be a teacher was replaced with commando training in Australia. Colvin arrived in Egypt in October 1941 and worked as a draughtsman with one of the infantry brigades of the 2nd New Zealand Division at Maadi. In his spare time he began contributing drawings to the New Zealand Expeditionary Forces Times.
In 1942 Private Colvin joined H.Q. 5th Brigade at the city of El Alamein, Northern Egypt. He cursed the bugs, the sun, the sand, the brass hats and all the other targets of an irritated soldier, yet from his hole in the ground he still managed to produce witty and humorous sketches for the N.Z.E.F. Times. To procure a chuckle out of 40,000 disillusioned soldiers was undoubtedly a milestone in the artist’s fledgling career. Towards the end of the Second Battle of Alamein he was hit in the leg, during a sudden airfield attack by nine fighter-bombers. He saw the campaign out with the Division and returned to Maadi in May 1943. He was then seconded to the Public Relations Service as a draughtsman.
Lance-Corporal Colvin proceeded to Italy with the PRS in early 1944, setting up headquarters in the port of Bari. By now he was one of the best-known artist contributors to the N.Z.E.F. Times. Here, he drew the original ‘Clueless’, the quintessential medal-bedecked, worn out and befuddled veteran. In early 1945 the nincompoop was released to the troops; he was an instant hit. The name quickly became a sobriquet for the gullible half-wit or unreliable vehicle in every unit, and for brigadiers and batmen, colonels and corporals alike his tomfooleries became a rare, weekly thrill. As The Jayforce Times wrote in 1947: “…even the normally staid, the meticulously military, were known to unbend.” Undoubtedly, it was Colvin’s regular interaction with the men in the Division and his past experiences at Alamein that saw him always hit the comic mark.
In 1945 Sergeant Colvin returned to New Zealand and decided to continue doing that which had given him so much satisfaction while abroad. From 1946 to the mid-1950s he was a political cartoonist for The Evening Post in Wellington. Then, following the trend of other antipodean graphic artists Colvin ventured to London. After working for The Daily Sketch and freelancing for major newspapers such as The News Chronicle and The Daily Telegraph, he turned to focus on strip cartooning. His best-known strip was the Evening Standard’s ‘Modesty Blaise’ by Peter O’Donnell, which he drew from 1977 – 1986. A lampoon on ‘James Bond’, the strip was run by in 44 countries, and in total he drew 1,902 episodes. Many reprints and several film adaptations have been made of this popular comic.
Neville Colvin’s flair for capturing the essence of topical situations and the idiosyncrasies of his subjects with a distinctively bold line and minimal use of text makes him deserving of placement in the annals of not only New Zealand’s art history, but that of Britain, where during his lifetime he was considered her pre-eminent line artist. The drawings in this exhibition, produced during the WWII years, are especially meaningful. Not only did they succeed in making light out of arduous times and bringing rare merriment to our hardworking troops, but in producing them Colvin realised where his passion lay, leading to his valuable contributions to the world of cartoon and illustration on an international scale.
Author: Dr. Warren Feeney
