Lt. Col. L. F. Rudd DSO., OBE.
Graphite on paper
24 x 17 cm
Signed lower right
PROVENANCE
Neville Colvin Collection. England
EXHIBITED
Jonathan Grant Galleries, Peter McIntyre 2nd NZEF War Drawings 1941 - 1944, 2010
ILLUSTRATED
(2010) Peter McIntyre 2nd NZEF War Drawings 1941 - 1944 [Exhibition Catalogue]. Auckland, New Zealand: Jonathan Grant Galleries.
Lieutenant Colonel L. F. Rudd
Lawrence Frederick Rudd was born in Christchurch in January 1898. He was educated at Auckland Grammar School, where he was a member of the Auckland Grammar School Cadets between 1911 and 1914.
He served as a Private in the First World War, with the 29th Reinforcements attached to the Entrenching Battalion. On 16th April 1918 he was wounded and captured by the Germans in the trenches at Bailleul. He was sent to POW camps Munster II and Minden, and was liberated on 30th November 1918. After the First World War Rudd returned to Auckland and became a barrister and solicitor, and served with the Territorial Forces in Corps of Engineers. From 1934 to the outbreak of the Second World War, he was the Commanding Officer of 1st Field Company.
In 1940 he enlisted in the 2nd New Zealand Expeditionary Force (he had joined the 1st New Zealand Expeditionary Force in 1917), given the rank of Major Rudd and the commandment of 6 Field Company, an artillery force. From August to September 1940 he was a commander in the New Zealand Engineers, 2nd NZEF, and joined the campaign in Greece.
While serving in Corinth in April 1941, under heavy fire by airborne troops, he ensured that the vital Corinth Bridge was demolished, and continued to fight with the survivors of his field company and other units, before leading them twenty miles to safety. The New Zealand Gazette reported: “His coolness and ready judgement inspired others and helped to save a desperate situation.” For his “outstanding leadership and devotion to duty” during this campaign, he was awarded the Distinguished Service Order.
During the war Rudd also campaigned in Western Europe, Crete, the Western Desert and Italy. In August 1944 Rudd was in England, commanding the 2nd NZEF UK POW Reception Group, who were in charge of setting up reception centre for repatriated prisoners of war.
In 1945 he was appointed as a member of the British Legal Mission to Greece. He was promoted to Colonel and awarded an O.B.E. He was also awarded, among other medals, the Distinguished Service Order (DSO), British War Medal, Victory Medal and Mentioned in Despatches (MiD).
After the war, Rudd continued his legal career, and was the Honorary Consul to the Republic of the Philippines. He was also active in the Returned Services Association, becoming President of the Auckland branch, and President of the Auckland Officers’ Club.
He and his wife, Mrs Dorothy Rudd, had four children. Colonel Rudd died in March 1973, aged 75.
The Neville Colvin Collection
(New Zealand 1918 – 1991 Britain)
Known to his friends as ‘the Count’ for his distinctive features, and to thousands as the creator of ‘Clueless’, Neville Maurice Colvin was born and raised in Dunedin. The first expressions of his drawing talent included contributions to the Otago Boys’ High School annual magazine. With the onset of World War II, training to be a teacher was replaced with commando training in Australia. Colvin arrived in Egypt in October 1941 and worked as a draughtsman with one of the infantry brigades of the 2nd New Zealand Division at Maadi. In his spare time he began contributing drawings to the New Zealand Expeditionary Forces Times.
In 1942 Private Colvin joined H.Q. 5th Brigade at the city of El Alamein, Northern Egypt. He cursed the bugs, the sun, the sand, the brass hats and all the other targets of an irritated soldier, yet from his hole in the ground he still managed to produce witty and humorous sketches for the N.Z.E.F. Times. To procure a chuckle out of 40,000 disillusioned soldiers was undoubtedly a milestone in the artist’s fledgling career. Towards the end of the Second Battle of Alamein he was hit in the leg, during a sudden airfield attack by nine fighter-bombers. He saw the campaign out with the Division and returned to Maadi in May 1943. He was then seconded to the Public Relations Service as a draughtsman.
Lance-Corporal Colvin proceeded to Italy with the PRS in early 1944, setting up headquarters in the port of Bari. By now he was one of the best-known artist contributors to the N.Z.E.F. Times. Here, he drew the original ‘Clueless’, the quintessential medal-bedecked, worn out and befuddled veteran. In early 1945 the nincompoop was released to the troops; he was an instant hit. The name quickly became a sobriquet for the gullible half-wit or unreliable vehicle in every unit, and for brigadiers and batmen, colonels and corporals alike his tomfooleries became a rare, weekly thrill. As The Jayforce Times wrote in 1947: “…even the normally staid, the meticulously military, were known to unbend.” Undoubtedly, it was Colvin’s regular interaction with the men in the Division and his past experiences at Alamein that saw him always hit the comic mark.
In 1945 Sergeant Colvin returned to New Zealand and decided to continue doing that which had given him so much satisfaction while abroad. From 1946 to the mid-1950s he was a political cartoonist for The Evening Post in Wellington. Then, following the trend of other antipodean graphic artists Colvin ventured to London. After working for The Daily Sketch and freelancing for major newspapers such as The News Chronicle and The Daily Telegraph, he turned to focus on strip cartooning. His best-known strip was the Evening Standard’s ‘Modesty Blaise’ by Peter O’Donnell, which he drew from 1977 – 1986. A lampoon on ‘James Bond’, the strip was run by in 44 countries, and in total he drew 1,902 episodes. Many reprints and several film adaptations have been made of this popular comic.
Neville Colvin’s flair for capturing the essence of topical situations and the idiosyncrasies of his subjects with a distinctively bold line and minimal use of text makes him deserving of placement in the annals of not only New Zealand’s art history, but that of Britain, where during his lifetime he was considered her pre-eminent line artist. The drawings in this exhibition, produced during the WWII years, are especially meaningful. Not only did they succeed in making light out of arduous times and bringing rare merriment to our hardworking troops, but in producing them Colvin realised where his passion lay, leading to his valuable contributions to the world of cartoon and illustration on an international scale.
Author: Dr. Warren Feeney
